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A Keeper by Graham Norton – Review

Posted in Five Star, Reviews
on November 24, 2019
A Keeper by Graham Norton

Thanks to Hodder & Stoughton and Netgalley for the ARC copy in exchange for a fair review.

I think most people come to a book written by a celebrity with more than a little scepticism. It’s easy to see why – there’s a lot of tripe written and published because the person who wrote it is already famous, and the publishing houses know it will pretty much sell itself. 

However, don’t make the mistake of putting Graham Norton into this category. The man can write. 

It was actually going to see Norton talk about his first novel, Holding, that sparked off this blog in the first place. (Take that as you will). I had toddled to the local theatre with my mother to see him be ‘interviewed’ by a local radio host (I think, does it matter?). Alas, the interviewer was rather poor, but Norton himself still came across well (he really does seem as lovely as he is on TV), exceptionally well read, knowledgeable about literature and intelligent. I read Holding in one sitting, remembered what I liked about reading and decided to set up a book blog….where I never did quite get around to reviewing that particular book. Whoops.

Anyway, I digress. Back to the topic (book) on hand. 

A Keeper follows Elizabeth Keane as she returns to Ireland following her mother’s death to oversee the sale of her home and wrapping up of her estate. While clearing her mother’s house, she comes across a series of letters that lead her to the identify of her father and the truth about her – and her mother’s past. 

While Elizabeth sets about unravelling the mystery that she’s uncovered, her life as she knows it back in NYC is unravelling in an eerily similar way. The present, past and future weave together in a cleverly written novel.

Graham Norton knows people. Of course he does – he’s made a career out of knowing how to get the very best out of people when he interviews them. His biggest strength as a writer is his characterisation. He really gets underneath the skin of his characters: they are real, they are visceral, everything they feel, say, do, or act like feels so very true. He draws in his reader’s empathy from the first page – and this is as true for A Keeper as it is for Holding. There is never a moment that you don’t believe a character would have acted in the way he’s written; you understand exactly why they react as they do, and why they think, feel, speak in a certain way. It’s magical.

Which isn’t to say that all the characters themselves are nice. But they’re real; they’re tangible and you can understand why they’ve done what they’ve done. 

It’s also why I’ll forgive the moments of the plot which get a little bit far fetched, or dramatic. Norton is such a good storyteller that you believe them. You want to get to the bottom of the mystery; you want everything that’s happening back in NYC to work out for the best; you want – somehow – for Elizabeth to be able to have that final, impossible talk with her mother where she tells her the full truth. You don’t, of course, get that. 

A Keeper is quite a dark book, full of suspense and at times unsettling.There are elements of The Woman In Black – just without the supernatural aspect.  It’s skillfully written and paced – slow enough to draw you in and make you wonder, but not drawn out so long you lose interest. Told in flashback and in present day, it weaves a generalised feeling of discontent and dissatisfaction with life, with real tragedy, exceptional circumstances and an almost overwhelming sense of loneliness. 

Norton is a skilled writer; you can certainly see that he’s someone with a real passion for literature and storytelling. There is an enjoyment for the written word that comes across clearly on every page. While, personally, I found the ending was a little bit too over dramatic, I can see why he chose to include it as  it did fit well with the overall story arc – so perhaps I’m just being picky. (I had to find something!).

I would absolutely recommend to anyone. This is not a book by a celebrity; this is a book by a gifted novelist, who also happens to be a chat show host. (Those that know my opinion of celebrity writers will know that this is an accolade of the highest honour!). I can’t wait to see what he writes next. 

Five stars. 

A Girl In London: An American In Paris

Posted in Five Star, Theatre
on March 30, 2017
souvenir programme

I was in London at the weekend – I was actually staying in Westminster. It felt a little odd going to Westminster for frivolous reasons given the tragedy that unfolded last week, but I really was heartened by what I saw.

I’m not going to turn this into a political blog – don’t worry about that. I just want to express my overwhelming feeling of pride in my fellow countrymen.

On Saturday there was a protest about Brexit (or Brexshit as perhaps it would be better to refer to it as). Parliament Square was heaving. People, they were out there in their hoards to use their democratic right to protest and freedom of speech. Recently I have found myself frequently being the ‘outsider’ point of view – so it was reassuring to feel that there are others who share my opinion, and are still prepared to fight for it. The best bit? Everything was peaceful, well formulated and respectful to those that had lost their lives only a few days before.

On Sunday things were very much back to normal around Westminster and Parliament. The bridge was heaving with tourists, as people snapped photos of the area and generally went along their business. Why am I mentioning this? We are not afraid. We haven’t stopped visiting places out of fear. am very proud of how we, as a United Kingdom, have united together over this.

You’re probably wondering when I am going to get to the point. It’s now.

The reason I was in London in the first place is because my boyfriend extraordinaire, got me tickets to see An American In Paris. The film version of the musical – starring none other than Gene Kelly – is one of my favourites.* I deliberately didn’t re-watch it before seeing the stage musical for fear that I might spend the whole time comparing it in my head. Now, I know it was silly to even think that as they are very different.

 

The stage version of An American In Paris contextualises the story in a way which the 1951 film doesn’t. This is understandable – in 1951, people did not go to the cinema to be reminded of the war which they had just lived though. As one of the characters in the musical remarks – if you can make people happy through your art, that’s what you should do. The film exists in this almost timeless era, where only the clothing and set design gives you an insight into the period in which it is set. Conversely, the stage version starts with the Nazi swastika being replaced with the French tricolour, and a dance sequence where you can see the French reclaiming their country. Throughout the stage version too, is the underlying feeling that this is a country which is repairing – there is a little bit of suspicion about those families who seem to have profited from the war, and nobody quite knows how – there is a sense of obligation to the American soldiers which you don’t quite get from the film.

Seeing a stage version of a film is a very different experience. Everybody knows how impressive Gene Kelly’s ballet sequence is – it’s what the film is famous for after all – but seeing (very different) ballet sequences on stage is something else. As someone who has two left feet, I was amazed by these sections of the musical. They were so beautifully choreographed, and so well complimented by the staging.

It’s hard to pick out the best moments of the musical, it was stand out from start to finish, with high energy and high impact throughout. (Even my boyfriend who has never seen a musical before, and expected to have fallen asleep before the interval said ‘I finally understand why you love musicals so much’.) Gershwin’s music, of course, is so opulent, exciting and wonderful. The score really comes alive when performed with such passion. My favourite moment of the show was ‘I Got Rhythm’. It won’t spoil anything to say that this was an ensemble moment done with aplomb.

I realise I have a tendency to gush a lot on this blog. I think it’s probably because I’ve decided life is too short to waste on things I don’t enjoy (I mean, I used to finish every book I ever started, and now I have much more patience). I’m trying my hardest not to gush here, but it’s so difficult because it was such a wonderful production. If I was being extra picky I suppose I might mention the French accent which sounded a little more German – but that is really very minor. All in all it’s an extravaganza.

This is the sort of musical that I adore. Perhaps controversially I have no interest in seeing things like Aladdin, the Lion King, Wicked – musicals of that ilk. Instead I prefer these golden oldies. They’re old fashioned, they’re understated (the staging and set for An American In Paris was stunning but it’s not the pyrotechnics you might get at one of the musicals I’ve just mentioned), they’ve got some great – and enduring – sing-a-long songs, and some iconic dance numbers. I also like the cheeky humour you tend to get in these musicals – Cole Porter’s would be another example of this.

If you’re expecting to see a remake of the film than this is not that. If you’re excited by a re-imagining of the story, then go. Go in your droves and enjoy. Because it would be impossible not to. A

Once again – it’s five stars from me.